{"id":1623,"date":"2020-05-11T08:05:00","date_gmt":"2020-05-11T06:05:00","guid":{"rendered":"https:\/\/justprint.sk\/blog\/?p=1623"},"modified":"2020-05-14T10:16:48","modified_gmt":"2020-05-14T08:16:48","slug":"ako-pripravit-subor-na-tlac","status":"publish","type":"post","link":"https:\/\/justprint.sk\/blog\/2020\/05\/ako-pripravit-subor-na-tlac\/","title":{"rendered":"Ako pripravi\u0165 s\u00fabor na tla\u010d?"},"content":{"rendered":"\n

Ka\u017ed\u00fd, kto sa pok\u00fa\u0161al vytla\u010di\u0165 svoje reklamn\u00e9 materi\u00e1ly, pravdepodobne narazil na probl\u00e9my t\u00fdkaj\u00face sa pr\u00edpravy s\u00faborov na tla\u010d. \u010co by ste mali vedie\u0165 pri odosielan\u00ed s\u00faboru do tla\u010diarne a ako sa vyhn\u00fa\u0165 z\u00e1kladn\u00fdm chyb\u00e1m? <\/p>\n\n\n\n\n\n\n\n

S\u00fabory – na tla\u010d, pripravi\u0165 sa, \u0161tart!<\/h2>\n\n\n\n

Ka\u017ed\u00fd, kto chcel tla\u010di\u0165 svoje materi\u00e1ly v profesion\u00e1lnej tla\u010diarni, musel zisti\u0165, ak\u00e9 komplikovan\u00e9 m\u00f4\u017eu by\u0165 ot\u00e1zky spojen\u00e9 s DTP. Pri zad\u00e1van\u00ed projektu grafick\u00e9mu dizajn\u00e9rovi by n\u00e1m mal teoreticky posla\u0165 riadne pripraven\u00fd kone\u010dn\u00fd s\u00fabor – t. j. v s\u00falade s po\u017eiadavkami danej tla\u010diarne. Sk\u00fasen\u00ed aj za\u010d\u00ednaj\u00faci grafici v\u0161ak nevedia v\u017edy pripravi\u0165 s\u00fabor na tla\u010d. \u010co si treba zapam\u00e4ta\u0165 a ak\u00e9 s\u00fa naj\u010dastej\u0161ie chyby pri prenose s\u00faborov do online tla\u010diarne<\/a><\/strong>? <\/p>\n\n\n\n

RGB a CMYK<\/h2>\n\n\n\n

Nie ka\u017ed\u00fd si je vedom\u00fd rozdielu medzi farebn\u00fdm priestorom RGB a CMYK. Na obrazovke vystupuj\u00fa RGB (r<\/strong>ed, g<\/strong>reen, b<\/strong>lue) a na v\u00fdtla\u010dkoch s\u00fa zn\u00e1me CMYK (\u010di\u017ee c<\/strong>yjan, m<\/strong>agenta, y<\/strong>ellow, k<\/strong>ey colour \u2013 teda black). Pri mie\u0161an\u00ed t\u00fdchto farieb dostaneme \u0161pecifick\u00fd odtie\u0148 – rozdiel je tak\u00fd, \u017ee sa l\u00ed\u0161ia na obrazovke a l\u00ed\u0161ia sa na v\u00fdtla\u010dkoch. Zmier\u0148uje sa to faktom, \u017ee to, \u010do vid\u00edme na monitore, sa nemus\u00ed zhodova\u0165 s t\u00fdm, \u010do uvid\u00edme na v\u00fdtla\u010dkoch. Ak teda chceme, aby farby po tla\u010di boli rovnak\u00e9 ako farby na obrazovke – od za\u010diatku sa oplat\u00ed vytvori\u0165 projekt vo farebnom priestore CMYK. <\/p>\n\n\n\n

\"CMYK\"
Zdroj: Pixabay.com<\/figcaption><\/figure>\n\n\n\n

Tla\u010diarensk\u00e9 spad\u00e1vky<\/h2>\n\n\n\n

Ch\u00fdbaj\u00face spad\u00e1vky s\u00fa jednou z naj\u010dastej\u0161\u00edch ch\u00fdb pri pr\u00edprave s\u00faborov na tla\u010d. \u010co s\u00fa to spad\u00e1vky? Jednoducho povedan\u00e9, je to grafick\u00e1 oblas\u0165, ktor\u00e1 siaha za rezn\u00e9 \u010diary (tzv. pasery). Spad\u00e1vky s\u00fa \u010dasti s\u00faboru, ktor\u00e9 bud\u00fa po\u010das viazania orezan\u00e9. Pou\u017e\u00edvaj\u00fa sa preto, aby na cie\u013eovom form\u00e1te nezostali nepotla\u010den\u00e9 oblasti a r\u00e1mce. Pri pr\u00edprave ka\u017ed\u00e9ho s\u00faboru na tla\u010d potiahnite pozadie k \u010diare spad\u00e1vky – zvy\u010dajne m\u00e1 spad\u00e1vka do 5 mm. Pridan\u00edm spad\u00e1vok do projektu budeme ma\u0165 istotu, \u017ee aj po orezan\u00ed – bude produkt tak\u00fd, ak\u00fd vid\u00edme na obrazovke. <\/p>\n\n\n\n

Tla\u010dov\u00e9 okraje<\/h2>\n\n\n\n

Okrem spad\u00e1vok s\u00fa ve\u013emi d\u00f4le\u017eit\u00e9 aj tla\u010dov\u00e9 okraje. Je to vn\u00fatorn\u00fd priestor pri okrajoch, na ktor\u00fd by sa nemali umiest\u0148ova\u0165 d\u00f4le\u017eit\u00e9 kon\u0161truk\u010dn\u00e9 prvky. Pri pr\u00edprave grafiky je okraj obvykle nastaven\u00fd na 3-5 mm. Pri navrhovan\u00ed materi\u00e1lov pre tla\u010d je preto potrebn\u00e9 bra\u0165 do \u00favahy oblas\u0165 spad\u00e1vok ako aj okrajov – v\u010faka tomu bude n\u00e1s projekt po orezan\u00ed na cie\u013eov\u00fd form\u00e1t konzistentn\u00fd a v\u0161etky d\u00f4le\u017eit\u00e9 prvky bud\u00fa esteticky rozmiestnen\u00e9 na celom projekte. <\/p>\n\n\n\n

Zmena textu na krivky<\/h2>\n\n\n\n

Pri pr\u00edprave s\u00faboru na tla\u010d je ve\u013emi d\u00f4le\u017eit\u00e9 prev\u00e1dza\u0165 p\u00edsmo na krivky. Ak tento krok presko\u010d\u00edte, m\u00f4\u017ee to zni\u010di\u0165 aj ten najlep\u0161\u00ed projekt a sp\u00f4sobi\u0165, \u017ee umiestnen\u00e9 na \u0148om \u00fadaje bud\u00fa jednoducho ne\u010ditate\u013en\u00e9. Spr\u00e1vne pripraven\u00fd s\u00fabor mus\u00ed ma\u0165 v\u017edy p\u00edsmo zmenen\u00e9 na krivky. V\u010faka tomu prestane by\u0165 text v danom s\u00fabore upravite\u013en\u00fd a st\u00e1va sa matematick\u00fdm geometrick\u00fdm usporiadan\u00edm kriviek. Je potrebn\u00e9 si to zapam\u00e4ta\u0165, preto\u017ee iba to n\u00e1m d\u00e1 istotu, \u017ee pou\u017eit\u00e9 p\u00edsmo bude vytla\u010den\u00e9 dobre – aj ke\u010f dan\u00e1 tla\u010diare\u0148 nem\u00e1 vybran\u00fd typ p\u00edsma. <\/p>\n\n\n\n

S\u00fabory dobre pripraven\u00e9 na tla\u010d <\/h2>\n\n\n\n

T\u00fdm, \u017ee sa vyhnete vy\u0161\u0161ie uveden\u00fdm chyb\u00e1m pri pr\u00edprave s\u00faborov na tla\u010d, m\u00f4\u017eete u\u0161etri\u0165 ve\u013ea \u010dasu a nervov a v\u00fdsledkom je z\u00edskanie presne po\u017eadovan\u00fdch v\u00fdtla\u010dkov. Tieto z\u00e1sady sa oplat\u00ed uplatni\u0165 po\u010das va\u0161ej pr\u00e1ce alebo ich pripomen\u00fa\u0165 dizajn\u00e9rom, ktor\u00ed pripravuj\u00fa s\u00fabory na tla\u010d. <\/p>\n","protected":false},"excerpt":{"rendered":"

Ka\u017ed\u00fd, kto sa pok\u00fa\u0161al vytla\u010di\u0165 svoje reklamn\u00e9 materi\u00e1ly, pravdepodobne narazil na probl\u00e9my t\u00fdkaj\u00face sa pr\u00edpravy s\u00faborov na tla\u010d. \u010co by ste mali vedie\u0165 pri odosielan\u00ed s\u00faboru do tla\u010diarne a ako…<\/p>\n","protected":false},"author":1,"featured_media":1625,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[36,37,35],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/posts\/1623"}],"collection":[{"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/comments?post=1623"}],"version-history":[{"count":6,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/posts\/1623\/revisions"}],"predecessor-version":[{"id":1632,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/posts\/1623\/revisions\/1632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/media\/1625"}],"wp:attachment":[{"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/media?parent=1623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/categories?post=1623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/justprint.sk\/blog\/wp-json\/wp\/v2\/tags?post=1623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}